{"id":8621,"date":"2024-09-11T11:43:00","date_gmt":"2024-09-11T11:43:00","guid":{"rendered":"https:\/\/wp26.cmswebdeveloper.com\/asian-news\/bush-theatre-announces-an-extension-to-the-run-of-the-real-ones\/"},"modified":"2024-09-11T11:43:00","modified_gmt":"2024-09-11T11:43:00","slug":"bush-theatre-announces-an-extension-to-the-run-of-the-real-ones","status":"publish","type":"post","link":"https:\/\/wp26.cmswebdeveloper.com\/asian-news\/bush-theatre-announces-an-extension-to-the-run-of-the-real-ones\/","title":{"rendered":"Bush Theatre announces an extension to the run of The Real Ones"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.asianexpress.co.uk\/wp-content\/uploads\/2024\/09\/Mariam-Haque-Neelam-and-Nathaniel-Curtis-Zaid-in-The-Real-Ones-at-Bush-Theatre.-Photo-credit-Helen-Muray_108-1024x683.webp\" alt=\"\" class=\"wp-image-50677\" \/><figcaption class=\"wp-element-caption\">THE REAL ONES by Waleed Akhtar ;\nProduction ;\nCast: Nnabiko Ejimofor, Anthony Howell, Mariam Haque &amp; Nathaniel Curtis ;\nDirected by Anthony Simpson-Pike ;\nSet and costume designer: Anita Fields ;\nLighting Designer: Christopher Nairne ;\nSound Designer: XANA ;\u2028Voice and accent coach: Gurkiran Kaur ;\nMovement Director: Iskandar sharazuddin ;\nProduction Manager: James Dawson ;\nCasting Director: Jatinder Chera ;\nCostume Supervisor: Maariyah Sharjil ;\nVideo Designer: Matt Powell ;\nCompany Manager: Rebecca Natalini ;\nAssistant Stage Manager: Rhea Cosford ;\nIntimacy Director: Robbie Taylor Hunt ;\nDramaturg: Titilola Dawudu ;\nBush Theatre ;\n6 September 2024 ;\nLondon, UK ;\nCredit &amp; copyright: Helen Murray ;\nwww.helenmurrayphotos.com ;\n@helenmurraypix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Bush Theatre has announced that the run of Waleed Akhtar\u2019s play <strong><em>The Real Ones<\/em><\/strong> will be extended to <strong>26 October<\/strong> due to ticket demand.<strong><em>\u00a0 <\/em><\/strong>A funny and honest love letter to platonic soulmates, this world premiere production reunites the team behind the Olivier Award-winning sensation,<em> The P Word<\/em>, writer <strong>Waleed Akhtar,<\/strong> and director <strong>Anthony Simpson-Pike<\/strong>.\u00a0 The cast is <strong>Nathaniel Curtis <\/strong>(<em>It\u2019s a Sin<\/em>, Channel 4), <strong>Nnabiko Ejimofor<\/strong>, <strong>Mariam Haque<\/strong> (<em>When Winston Went To War With The Wireless<\/em>, Donmar Warehouse) and <strong>Anthony Howell <\/strong>(<em>A Thousand Blows<\/em>, Disney+)<strong>.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>\u201cI love you. Like genuinely I love you. You\u2019re a real one.\u201d<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200bBest friends Zaid and Neelam shared a dream: get away, make it as playwrights, and build a future where they&#8217;re free to be themselves. Together, always.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200bYears later, things are far from what they expected. Zaid\u2019s life has kinda stalled, half out of the closet, living at home, and still chasing the dream. While Neelam has taken a completely different path, as she chooses to prioritise her own happiness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200bAs their lives pull further apart and a mess of things left unsaid hangs between them, it becomes less and less clear if they\u2019ll ever find a way back to each other.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Waleed Akhtar<\/strong> is a writer and actor. He was the recipient of the 2023 Peggy Ramsay\/Film 4 bursary and was awarded an MGC Futures bursary winner in 2021. He won \u2018Most Promising Playwright\u2019 at The Offies 2023 and was nominated for the equivalent at The Evening Standard Awards. His play, <em>The P Word<\/em> won the \u2018Outstanding Achievement in an Affiliate Theatre\u2019 at the 2023 Olivier Awards, alongside a nomination for \u2018Best Play\u2019 at the WGGB Awards in 2022.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Work for theatre includes: <em>The P Word<\/em> (Bush Theatre); <em>Kabul Goes Pop: Music Television Afghanistan<\/em> (Brixton House, Mercury Theatre, &amp; HighTide); <em>Sholay on the Big Screen<\/em> (Off Stage Theatre, Bush &amp; Nubian Life); <em>I Don\u2019t Know What To Do<\/em> (co-creator \u2013 Vault Festival). His translation work includes Alexis Michalik\u2019s <em>The Art of Illusion<\/em> (Hampstead Theatre); <em>Famalam<\/em> (Season 4 contributor); <em>Sketchtopia and Newsjack<\/em> (BBC Radio 4 \u2013 Contributor); <em>Lost Paradise<\/em> (Short film B3 Media\/UK Film Council). He is currently under commission at the Almeida Theatre &amp; Unicorn Theatre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Work for television includes: <em>The Road Trip<\/em> (Paramount+\/42MP) and a television adaptation of his hit play <em>The P Word<\/em> (House Productions). He is a current participant of the BBC Studios Spotlight scheme developing an original drama with Sid Gentle Films. His original audio play <em>Mrs Bibi<\/em> will be released by Audible in 2025.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As an actor his credits include <em>Cruella, Salmon Fishing in the Yemen<\/em> and <em>The Great<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Anthony Simpson-Pike<\/strong> is a director, dramaturg and writer. He was Deputy Artistic Director at the Yard Theatre, Resident Director at Theatre Peckham and Associate Director at the Gate Theatre. Recent directorial work includes <em>Samuel Takes a Break\u2026<\/em> at The Yard Theatre, <em>Beautiful Thing<\/em> at Stratford East, <em>Grenfell: In the Words of Survivors<\/em> at the National Theatre (which transferred to St Ann\u2019s Warehouse in New York in April 2024), and, at the Bush, Olivier Award-winning <em>The P Word<\/em> and <em>Lava<\/em> (nominated for \u2018Best Director\u2019 at the Black British Theatre Awards); and <em>An Octoroon <\/em>at the Abbey, Dublin (nominated for \u2018Best Production\u2019 at the Irish Times Theatre Awards).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recent dramaturgical credits include <em>Now, I See<\/em> at Stratford East, <em>Much Ado About Nothing<\/em> for the RSC; <em>Samskara<\/em> at the Yard Theatre; <em>Hotline<\/em> with Produced Moon at the Tron; <em>Dear Young Monster<\/em> by Pete McHale for The Queer House; and <em>Coup de Grace<\/em> at the Royal Court.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nathaniel Curtis<\/strong> plays Zaid. He is best known for his breakout role of Ash Mukherjee in Russell T Davies\u2019 powerful Channel 4 series, <em>It\u2019s A Sin<\/em>. Nathaniel\u2019s theatre credits Include <em>2:22: A Ghost Story<\/em> (UK Tour) <em>Disruption<\/em> (Park Theatre), <em>Romeo and Juliet<\/em> (UK Tour), <em>The Tempest <\/em>(UK Tour) and<em> Pride and Prejudice <\/em>(Regent\u2019s Park Open Air Theatre). On television he has appeared as Br\u00edan in <em>The Witcher: Blood Origin (<\/em>Netflix<em>), <\/em>Dolph Laserhawk in<em> Captain Laserhawk: A Blood Dragon Remix (<\/em>Netflix) and Isaac Newton in <em>Doctor Who<\/em> (BBC). His audio credits include: <em>Torchwood \u2013 Cuckoo<\/em> (Big Finish) and <em>Auris<\/em> (Audible).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nnabiko Ejomofor<\/strong>&nbsp;plays Deji. Nnabiko trained at RADA and received an Olivier Award Nomination for \u2018Best Supporting Actor\u2019 for his performance in&nbsp;<em>For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy,&nbsp;<\/em>and he won the 2022 Stage Debut Award for \u2018Best Performer in a Play\u2019. Recent credits include:&nbsp;<em>Now, I See<\/em>&nbsp;(Stratford East);<em>&nbsp;Jitney<\/em>&nbsp;(Old Vic \/ Headlong);&nbsp;<em>For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy<\/em>&nbsp;(West End \/ Royal Court \/ New Diorama). Radio includes:<em>&nbsp;Sarah Walker\u2019s Sunday Morning Show<\/em>. Short film credits include:&nbsp;<em>Good Vibes Only&nbsp;<\/em>and<em>&nbsp;Figure<\/em>. Nnabiko has previously been a dancer for Boy Blue Entertainment and won the Lilian Baylis Award.\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mariam Haque<\/strong> plays Neelam. Her theatre credits include <em>When Winston Went To War With The Wireless<\/em> (Donmar Warehouse), <em>Folk <\/em>(Hampstead Theatre, downstairs), <em>The Living Newspaper<\/em> (Royal Court), <em>When the Crown Visit<\/em> (The Kiln), <em>Romeo and Juliet<\/em> and <em>Macbeth<\/em> (RSC), <em>Hometruths<\/em> (Cardboard Citizens), <em>Diana Of Dobsons<\/em> (The New Vic), <em>Dara<\/em> <em>and Behind the Beautiful Forevers<\/em> (National Theatre), <em>Almost Near &amp; Hurried Steps<\/em> (The Finborough Theatre), <em>Crossed Keys<\/em> (Eastern Angles), <em>Invasion?<\/em> (Tooting Arts Club), <em>The House of Bilquis Bibi<\/em> (Hampstead Theatre) and <em>Monster Under the Bed<\/em> (Polka Theatre). Her film and television credits include<em> Joy<\/em> (Netflix), <em>Such Brave Girls<\/em>, (BBC), <em>Henpocalypse <\/em>(BBC), <em>Live at the Moth Club<\/em> (Dave), <em>What\u2019s Happening?<\/em> (Baby Cow), <em>Plebs, The Finale<\/em> (ITV), <em>Midsomer Murders<\/em> (ITV),<em> Ladhood<\/em> (BBC), <em>Worzel Gummidge<\/em> (BBC), <em>This is Going To Hurt<\/em> (BBC), <em>What\u2019s Love Got To Do With It<\/em> (Studio Canal &amp; Working Title), <em>Pls Like<\/em> (BBC), <em>Finding Alive<\/em> (ITV), <em>Down From London<\/em> (Topic), <em>Trying<\/em> (Apple), <em>Homeland<\/em> (Showtime), <em>Flowers<\/em> (Channel 4), <em>Black Mirror<\/em> and <em>Shut Up &amp; Dance<\/em> (Netflix), <em>Doctors<\/em>, <em>Eastenders<\/em>, <em>Holby City<\/em> and <em>Hunted<\/em> (BBC), <em>Benjamin &amp; Wasteland<\/em> (Open Palm Films) and <em>Smear<\/em> (Shadowhouse).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Anthony Howell<\/strong> plays Jeremy. His theatre work includes <em>King Lear<\/em> (Chichester Theatre\/ATG), <em>The Best Man<\/em> (Bill Kenwright Ltd), <em>The Heresy of Love<\/em> and <em>Julius Caesar<\/em>&nbsp; (Shakespeare\u2019s Globe), <em>The Seagull<\/em> (Southwark Playhouse), <em>Anne Boleyn<\/em>, <em>Henry VIII<\/em> (Shakespeare\u2019s Globe), <em>Jingo <\/em>(Primavera), <em>A Doll\u2019s House<\/em> and <em>Portrait of a Lady<\/em> (Theatre Royal Bath), <em>The French Lieutenant\u2019s<\/em> <em>Woman<\/em> (Nick Brooke Ltd), <em>The Lifeblood<\/em> (Lifeblood Theatre Company), <em>And Then There Were<\/em> <em>None<\/em> (Act Productions), <em>Romeo &amp; Juliet<\/em>, <em>The Comedy of Errors<\/em> and <em>As You Like It<\/em> (RSC), <em>The Geometry of Miracles<\/em> (Ex Machina) and <em>The Promise<\/em> (Dalia Ibelhauptaite).&nbsp; On television he has appeared in <em>A Thousand Blows<\/em> (Disney+), <em>Fool Me Once<\/em> (Quay Street Pictures \/ Netflix), <em>This Town<\/em> (Kudos\/BBC), <em>Outlander<\/em> (Sony\/Starz\/Leftbank), <em>This England<\/em> (Revolutions Films\/Sky), <em>Ransom<\/em> (CBS), <em>Luther<\/em> (BBC), <em>Medici \u2013 Kingdom of Gold<\/em> (Lux Vide &amp; Big Light Productions). <em>Apocalypse Slough<\/em> (Working Title\/NBC for Sky), <em>Crossing Lines<\/em> (NBC), <em>Dracula<\/em> (Sky\/NBC), <em>Mr Selfridge<\/em> and <em>Shetland<\/em> (ITV), <em>Dirk Gently<\/em> (ITV Productions for BBC4), <em>Foyles War<\/em> (ITV), <em>Hawking <\/em>(BBC Films), <em>The Other Boleyn Girl<\/em> (BBC Films), <em>Frances Fyfield\u2019s Helen West<\/em> (ITV), Swallow (Channel 4), <em>Ultimate Force<\/em> (ITV) and <em>Wives and Daughters<\/em> (BBC).&nbsp; On film he has appeared in <em>Diamond Sky<\/em> (Fortunes Cap Productions), <em>Widow\u2019s Walk<\/em> (In Your Face Films), <em>Woman In Gold<\/em> (Origin Productions) and <em>Dungeons &amp; Dragons 3: The Book Of Vile Darkness<\/em> (Silver Pictures).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This production is generously supported by Charles Holloway OBE.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Book your tickets <a href=\"https:\/\/www.bushtheatre.co.uk\/event\/the-real-ones\/\">here<\/a>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Written by Nura Arooj<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bush Theatre has announced that the run of Waleed Akhtar\u2019s play The Real Ones will be extended to 26 October due to ticket demand.\u00a0 A funny and honest love letter to platonic soulmates, this world premiere production reunites the team behind the Olivier Award-winning sensation, The P Word, writer Waleed Akhtar, and director Anthony Simpson-Pike.\u00a0 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[87],"tags":[3750,3751,1666],"class_list":["post-8621","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-bush-theatre","tag-real-ones","tag-theatre"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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